{"id":4034,"date":"2021-06-30T13:47:47","date_gmt":"2021-06-30T12:47:47","guid":{"rendered":"https:\/\/limboassociation.com\/?page_id=4034"},"modified":"2021-07-01T13:59:10","modified_gmt":"2021-07-01T12:59:10","slug":"dire-lexil","status":"publish","type":"page","link":"https:\/\/limboassociation.com\/en\/dire-lexil\/","title":{"rendered":"Dire l’exil"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Chapter 4: Talking about exile<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

When they arrive in Europe, the survivors are faced with a different kind of suffering: the impossibility of talking about their experiences, but also of having them heard.<\/em> It is not indifference, not contempt, but a form of embarrassment - no, not here, not now, this is too much, you are doing too much. A victim of atrocities disturbs. For those who want to talk, it is a Great Wall of China that discourages them from speaking out. With his song, Bailo decided to take up the approximations, untruths and euphemisms that exiles are confronted with every day, the better to denounce them.<\/strong><\/p>

Click here to read the rest of the story, written and sung by the young survivors of Limbo.<\/b><\/a><\/em>
<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a0<\/p>

EN V\u00c9RIT\u00c9<\/strong><\/em><\/span>
Text Bailo, music Mathias Duplessy<\/strong><\/span><\/p>

\u00ab\u00a0La Libye, c\u2019est un pays compliqu\u00e9\u00a0\u00bb<\/span>
Attends je traduis : c\u2019\u00e9tait l\u2019horreur, en v\u00e9rit\u00e9<\/span>
\u00ab\u00a0En Libye, la vie \u00e9tait difficile\u00a0\u00bb<\/span>
Attends je traduis : personne n\u2019en revient, en v\u00e9rit\u00e9<\/span><\/p>

En v\u00e9rit\u00e9 tu veux que je te dise,<\/span>
Ces mots sont faits pour ne pas te choquer<\/span>
En v\u00e9rit\u00e9 tu veux que je te dise,<\/span>
Mais veux-tu vraiment que je te dise ?<\/span><\/p>

\u00ab\u00a0Les trafiquants n\u2019\u00e9taient pas tr\u00e8s gentils\u00a0\u00bb<\/span>
Attends je traduis : ils nous battaient nous torturaient<\/span>
\u00ab\u00a0Les gardes-c\u00f4tes libyens ont sauv\u00e9s 100 migrants\u00a0\u00bb<\/span>
Attends je traduis : ils les ont revendus au plus offrant<\/span><\/p>

En v\u00e9rit\u00e9 tu veux que je te dise,<\/span>
Ces mots sont faits pour ne pas te choquer<\/span>
En v\u00e9rit\u00e9 tu veux que je te dise,<\/span>
Mais veux-tu vraiment que je te dise ?<\/span><\/p>

\u00ab\u00a0La plupart des migrants ont fui la mis\u00e8re\u00a0\u00bb<\/span>
Attends je traduis : ce sont tous des survivants<\/span>
On n’est pas un migrant, quand on traverse l’enfer<\/span>
Et moi je me refuse de n’\u00eatre qu’un migrant<\/span><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Chapitre 4 : Dire l’exil Alors qu’ils arrivent en Europe, les survivants doivent faire face \u00e0 une nouvelle souffrance : l’impossibilit\u00e9 de dire, mais aussi de faire entendre ce qu’ils ont v\u00e9cu. Ce n\u2019est pas de l\u2019indiff\u00e9rence, pas du m\u00e9pris, mais une forme de g\u00eane – non, pas ici, pas maintenant, c\u2019est trop, tu en […]<\/p>\n","protected":false},"author":76201732,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_eb_attr":"","_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-4034","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaVtbP-134","amp_enabled":false,"_links":{"self":[{"href":"https:\/\/limboassociation.com\/en\/wp-json\/wp\/v2\/pages\/4034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/limboassociation.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/limboassociation.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/limboassociation.com\/en\/wp-json\/wp\/v2\/users\/76201732"}],"replies":[{"embeddable":true,"href":"https:\/\/limboassociation.com\/en\/wp-json\/wp\/v2\/comments?post=4034"}],"version-history":[{"count":45,"href":"https:\/\/limboassociation.com\/en\/wp-json\/wp\/v2\/pages\/4034\/revisions"}],"predecessor-version":[{"id":4396,"href":"https:\/\/limboassociation.com\/en\/wp-json\/wp\/v2\/pages\/4034\/revisions\/4396"}],"wp:attachment":[{"href":"https:\/\/limboassociation.com\/en\/wp-json\/wp\/v2\/media?parent=4034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}